Corpus

Works

The body of work is organised in three territories. Earlier pieces are gathered at the foot of the page.

Light & perception03

Light & perception

What the image does to the eye — geometry, optics, the point at which a form stops being what we took it for.

A chrome sphere, two projectors, and a room that stops having walls.

A dome has neither wall nor ceiling, so neither top nor bottom.

A composition of volumes, a projection that takes them through three hundred and sixty degrees, and an eye that no longer knows…

Places & memory02

Works written for one place alone, where the wall or the façade imposes its constraint and becomes the scale of the work.

A limestone quarry, immense walls, and a writing reduced to almost nothing: a point, a line, a pulse.

A rampart exists in order to separate.

Ocean & the living02

The ocean as subject and as medium — working with it rather than depicting it.

ABÎMES is not looked at head-on: you walk into it.

Étel, the lifeboat shelter, a façade turned towards the sea.

Earlier works06